Showing posts with label The Knitting Factory. Show all posts
Showing posts with label The Knitting Factory. Show all posts

Wednesday, July 1, 2009

Apollo Run

This has to be another quick one today...

I had the privilege of seeing Apollo Run play a show with Julius C at the Knitting Factory (one of the last shows at its original location before they close and move to a smaller location) a few weeks ago and also hanging out with them backstage (check back later this summer to see some behind-the-scenes video from the show). The handsome group of guys definitely impressed me with their catchy, dramatic rock tunes, as well as their CatchPhrase abilities (yes, I mean the game CatchPhrase). I know I already said this, but they have a show tonight at Bell House, and they are definitely worth catching (as are The Hard Lessons, my favorite Detroit rock trio). Here are some photos from the Apollo Run set at Knitting Factory, taken by my dear friend Wai Choy, as well as another track to sample:







Rhiannon [mp3] - (iTunes)

Monday, September 29, 2008

Julius C @ The Knitting Factory

Thursday night I went to see Julius C perform at the Knitting Factory. It was kind of a repeat of the music/art thing at Crash Mansion that I went to a while back, as it was a few of the same bands and painters. Unfortunately I wasn't able to stay for the insanely talented Consider The Source or the fun, sassy Mugwump Collective. But it was good to see Julius C again and to hear a few of their new songs. It wasn't their best performance (in lead singer Jay's words, "a lot of things went wrong") - Jay's guitar didn't work for one, plus they were missing their awesome guitar player Kate and they got cut off really early for some unclear reason and thus skipped over 3 songs. But they had their usual infectious energy and the new stuff they did get to play made me look forward to hearing more of it in the future.





More pictures here.

Tuesday, July 29, 2008

Locksley @ The Knitting Factory

On Saturday I went to see a small free show at The Knitting Factory, where Locksley was apparently taping some type of "get out the vote" like segment for MTV. While they were still wearing their usually tight pants, button up shirts and suspenders, this time they were decked out in red, white and blue instead of black and white. It was kind of nice to see them add a little color to their wardrobe, and they still looked as stylish as ever.

It was a nice, small, intimate show reminiscent of the first time I saw them not quite a year ago at After the Jump, despite the presence of video cameras and Locksley's new-found rock star personas. They've come a long way in that very short time and while they definitely deserve everything they've achieved, I hope that it doesn't start going to their heads. Then again, I guess I'm not surprised they would act like rock stars with the cameras and the screaming high school girls (it was an all ages show). It once again reminded me of a Beatles concert, not to mention people fighting over Jesse's tie that he threw out into the audience at the end.

Anyway, Locksley put on a great show with all their classic catchy pop tunes, despite the teeny tiny stage that left them very little room to move around. They had their usual insane amounts of energy and still managed to jump around plenty. Particularly bass player Jordan, who kept leaping off the drum set and leaning into the audience. But I have to say he went a little too far when he spit out a mouth full of water onto the audience. Gross. I don't care if you're freaking Bob Dylan or some other mega legend - I don't want your spit on me, thanks. I guess I'm just worried that they're getting too rock-starish. They keep adding little gimmicks to their performance, little rock star behaviors like Jesse covering Kai's eyes while he solos or spraying water all over the audience. I don't want them to lose the high energy pop simplicity of their original style that was so much fun to watch and didn't need gimmicks. So Locksley, please don't let the fame go to your heads. You're already a great band without all that flashy rock star behavior. And while I realize that's probably a lot of fun for you, at the very least, please don't spit on your audience, thanks.

More photos:







Tuesday, April 22, 2008

Chris Bathgate @ The Knitting Factory

Last night I went to The Knitting Factory Tap Bar to see Chris Bathgate, along with a few other Michigan performers. I missed the first performer - a guy who goes by the name Drunken Barn Dance - because I worked late, but I caught part of his last song. It was peaceful singer-songwriter/ acoustic-guitar type music but I didn't catch enough of it to really write about it.

Next up was The Library is on Fire. It was kind of like The Knitting Factory was playing a game of "one of these things is not like the other." They were noisy rock 'n' rollers from Brooklyn instead of peaceful singer songerwriters from Ann Arbor. Actually, though, I think it was a nice way to shake things up. For the most part I liked them. Their music was upbeat and fun. Every now and then though there'd be something that would take me out of the music - a strange chord or rhythm. I think they could iron that out though with work and become quite a solid band. I guess they have a new bass player and this was his first show with the band. He was one of the more energetic male bass players I've seen (so many bass players are so stoic and motionless).

Chris Bathgate was up next. I believe he said it was his 26th birthday. For those of you who've read my blog before, he is good friends with Matt Jones. Matt Jones also drums for him sometimes. I can see why they collaborate - Chris Bathgate's music is very much that gentle singer-songwriter music, but it is less whimsical and more dramatic than Matt Jones'. Also unlike Matt Jones who said he "forgot how to be sad," I feel like Chris Bathgate's music has a little more sadness behind it. He played with an electric guitar and lots of reverb. He also made good use out of one of those looping pedals to create beautiful harmonies. I want one of those. I was very impressed. The one thing I would say could be improved would be that he should perform with more confidence. He seemed kind of uncomfortable up on stage, and I know it's scary performing in front of people, but he's very talented so he should stand a little straighter and own the stage a little more.

I got Chris' album at the show, "A Cork Tale Wake." I really like the album and there is more of a variety of genres on the album than there was when he performed. He rocks a little harder on some songs and on one song I'd say he gets downright funky. Part of me almost misses the beautiful looping harmonies, which aren't present on the whole album, but he has a full band behind him on some of the songs, which makes up for it. On a side note: starting today Chris Bathgate is going to live out in the woods for 2 months without electricity and whatnot so he will be incommunicado. He never really explained why, but I hope he enjoys himself nonetheless and he hope the concert was a good send off for him.

Fred Thomas was last, who I believe is from Michigan but now lives in New York? Could be wrong about that but he was/is part of Saturday Looks Good To Me with Scott from Drunken Barn Dance, so I would assume he lived in Michigan at some point. His music seemed to me to be more of the same - soft singer-songwriter music that made lots of use of the looping pedal. I was less impressed than I was with Chris Bathgate and I was tired (all the gentle music was lulling me to sleep after my 10-hour work day) so I only stayed for the first 15 minutes of the set. Based on the music on his myspace, I think I would like him better with a band behind him.

Pink Rock (In The Frontyard) [mp3] - The Library is on Fire - "Cassette" (iTunes unavailable)

A Flash of Light Followed By [mp3] - Chris Bathgate - "A Cork Tale Wake" (iTunes)
Smells Like A Fist [mp3] - Chris Bathgate - "A Cork Tale Wake" (iTunes)

Apples on the Floor [mp3] - Fred Thomas - "Sink Like a Symphony" (iTunes unavailable)

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