Showing posts with label Freelance Whales. Show all posts
Showing posts with label Freelance Whales. Show all posts

Thursday, August 23, 2012

Freelance Whales on NPR

The Freelance Whales are one of my favorite bands to listen to. The way they mix acoustic and electronic sounds is very indicative of this generation ... wanting to move forward and yet loving aspects of the past. Their euphoric sound is catching and makes you want to come back for more. 

What caught me today was the song "Spitting Image" featured on NPR's All Songs Considered. It has more of a progressive sound with airy vocals. A little different than their old album ... in a good way! It's fun to see them experimenting with sounds. 

"Spitting Image" is off their album Diluvia set to come out October 9th on Mom + Pop Music/Frenchkiss Records. This wonderful song will be available for downloading on iTunes tomorrow. Until October 9th, the band has launched a pre-order of their new album in which you can do by clicking here. Each pre-order comes with an exclusive poster signed by the band, an immediate download of "Spitting Image," a previously-released album cut of "Locked Out" and a live version of the song recorded in June. 

Want to see Freelance Whales live? Here's where you can!

10/4 Chicago, IL - Lincoln Hall
10/5 Minneapolis, MI - 7th St Entry
10/6 Madison, WI – Redamte
10/7 Iowa City - Maintenance Shop
10/10 Dallas, TX – Trees
10/11 Houston, TX – Fitzgerald's
10/13 Mexico City, MX - Corona Festival
10/14 Austin, TX - Austin City Limits
10/16 Los Angeles, CA - El Rey
10/18 San Francisco, CA – Mezzanine
10/20 Portland, OR - Doug Fir
10/21 Seattle, WA - Chop Suey
10/23 Salt Lake City, UT - Kilby Court
10/24 Denver, CO – Bluebird
10/26 St. Louis, MO – Firebird
10/27 Nashville, TN - The End
10/28 Atlanta, GA - The Loft
10/30 Chapel Hill, NC - Local 506
10/31 Washington, DC - 9:30 Club
11/1 New York, NY - Webster Hall
11/2 Philadelphia, PA - Union Transfer
11/3 Boston, MA - Paradise

Sunday, May 8, 2011

Freelance Whales remix

Discoforgia just put out a remix of Freelance Whales' "Hannah." Described as a "sunny electro funky banger remix," the remix is definitely fun and experimental. Discoforgia has remixed songs from Ok Go, The Ting Tings and others. Listen to the version here:


While this new version is completely different than the original, I still enjoy both in their respected contexts. Both versions incite some sort of movement ... one dancing at a club and the other jamming with your friends in the streets.

Sunday, March 27, 2011

New York Natives: Freelance Whales new download!


The next time you stop into Starbucks for your morning cappuccino the sounds of Freelance Whales may reverberate from the speakers. Their track "Generator (First Floor) is featured in their new commercial. The ad is to celebrate Starbucks' 40-year anniversary! You can view the video and download the song for free here. Their music has been featured on Grey's Anatomy, Chuck and many other television shows.

I discovered Freelance Whales by chance last fall while surfing through sessions on Daytrotter. Their music has definitely mesmerized me. If you enjoy folky/indie rock music then you may like them.

Spring Tour 2011
4/10 - Commodore Ballroom - Vancouver, BC*
4/11 - The Showbox at The Market - Seattle, WA*
4/12 - Wonder Ballroom - Portland, OR*
4/14 - Great American Music Hall - San Francisco, CA (co-headlining with Foals)
4/16 Coachella, India, CA
4/19 - Fitzgerald's - Houston, TX*
4/20 - The Loft - Dallas, TX
4/21 - La Zona Rosa - Austin, TX*
4/23 - The Firebird - St Louis, MO*
4/25 - The Varsity Theater - Minneapolis, MN*
4/26 - Metro - Chicago, IL (co-headlining with Foals)
4/27 - Outland Live - Columbus, OH*
4/29 - Beachland Ballroom - Cleveland, OH*
4/30 - Phoenix Concert Theatre - Toronto, ON*
5/01 - Le National - Montreal, QC*
5/02 - Paradise Rock Club - Boston, MA*
5/04 - Terminal 5 - New York, NY (co-headlining with Foals)
5/05 - Theatre of the Living Arts - Philadelphia, PA*
5/06 - 9:30 Club - Washington, DC (co-headlining with Foals)
5/07 - Ottobar - Baltimore, MD*
5/08 - The Met - Pawtucket, RI*

http://twitter.com/Freelancewhales
http://www.freelancewhales.com
http://www.facebook.com/pages/Freelance-Whales/46536195043
http://freelancewhales.wordpress.com/
http://www.myspace.com/freelancewhales

Wednesday, April 14, 2010

Up Close and Personal with Sherlock's Daughter

Tanya Horo of Sherlock's Daughter.
With a sold-out show at Bowery Ballroom last night, Freelance Whales’ performance was not to be missed. But in my opinion the real band to watch was the opening act: Sherlock's Daughter. I came across Sherlock's Daughter recently when they played with Neon Indian at Brooklyn Bowl. Based out of Sydney, Australia, the band just moved to Brooklyn two weeks ago. And yet in this short amount of time they have already managed to earn gigs that take other bands years to get. This isn’t to say that they’re complete unknowns. They played at CMJ this past fall, had critical acclaim from Thurston Moore of Sonic Youth, and are set to start recording their new album with John Agnello next week.

Sherlock's Daughter is a band that likes to experiment, both with sound and physical space. They profess that they have difficulty confining themselves to one genre—and with good reason. With bold, echoing distortions, tribal percussion, and folksy harmonies, they’ve got a full sound. They bring a playful attitude to the stage as well. Tanya Horo (lead vocals, xylophone, percussion) often hops around and on a couple of occasions Liam Flanagan (bass, vocals) finds himself on top of the amps near Will Russell (drums). You can tell they’re channeling the music as they play.*

I had the pleasure of meeting up with Will and Liam prior to the show for an exclusive interview. In search for a quiet spot amongst the pre-show craziness, we met in a dark stairwell by the fire exit. The ambiance was a bit shady but with a true free-spirited attitude, Will and Liam were game to talk.

GFP: Welcome to New York. How’s it treating you so far?

Will: I’m really loving it. We got a house on the first day. The gas came on three days later.
Liam: It’s awesome. It’s easier than we thought. A couple of us got jobs - unfortunately, but a necessity. Yeah, everything’s been great. Everyone’s really nice.

Any favorite bars?
L: We’re so broke at the moment that we have just been drinking at home. But there’s a gangsta that lives on the top floor and he comes down and he pretty much just hijacks our house because it’s nicer than his. So he comes down and he takes our laptop and plays like goochy instrumental off youtube and just raps to it like its his place, and he’s drunk and it’s like [in best American accent possible], “I gotta keep going man!” So I’d have to say that our favorite bar is our house.

Nice. I have to ask: why Sherlocks Daughter?
W: The lead singer [Tanya] is a bit obsessed with Arthur Conan Doyle who wrote the Sherlock Holmes stories and she fancies herself being a bit of Sherlock Holmes. We didn’t have much choice in the matter. She kind of decided the name before. I’m cool with that. I’m in touch with my feminine side.

So Tanya has taken the lead of things. Is she the mom of the group?
L: Well she’s the only woman. It’s definitely a democracy, but you know, like shouty shouty mama [he pumps his fist in the air and I try to imagine what he means]. She’s got pussypower and you have to bow to that. She’s amazing.
W: She’s definitely passionate. It’s all she wants to do. Because we can be a bit lazy.

Fair enough. In your interview at SXSW that you posted on your blog you described yourselves as “Dreampop.” Can you elaborate on that?
L: Dreampop, it’s…well, I don’t know what to call it because everyone wants to categorize the band and I don’t know what it sounds like anymore. We’ve been calling ourselves Chinese Country.

Chinese Country? Is that an Australian term?
W: No, we made it up. We’re all so different. Each one of us has very different styles. I listen to hip hop and I listen to German groups like Kraftwerk. We don’t have any contrived ideas. We just go in and jam. If we like the sound of stuff, we keep it. It’s not like we go in and say let’s do this or that.
L: What would you call it?

It does have a dreamy feel. I hear tribal electric.
W: Tribal electric is spot on. That’s great.
L: Yeah, that’s the new one. Go for it. Tribal electric.

Right on. Which bands would you like to perform with in 2010?
L: I saw this band called Warpaint at SXSW and they were fucking great. I found them really inspiring and I want to do some shows with them. We talked about it and they’re pretty game. So hopefully we’ll do that. I want to do a show with fucking Jay-Z or Madonna.
W: [Laughs]. Or Stereolab would be cool.

Dreaming big. That’s good! I noticed that you guys like to switch off with instruments. Are there any new instruments that you want to learn?
L: I want to learn Banjo so badly. It’s been like this thing ever since I was able to play music. I really want to play piano accordion as well.
W: Piano accordion. Double bass would be nice.

Lastly, what’s your Guilt Free Pleasure?
L: [Starts to roll a cigarette]. Hm, I can’t say heroin? My guilt free pleasure… guilt free? Something that could get printed? They’re all pretty guilty pleasures.
W: Maybe like…dancing to Sinatra naked in my bedroom.

*Other members include Tim Maybury (guitar, vocals) and Jonti Danilewitz (keyboard)

Thursday, November 12, 2009

Fanfarlo @ Triple Rock Social Club


Last night Fanfarlo played at the Minneapolis Triple Rock Social Club. Up first was their opener, Freelance Whales, a group I knew nothing about except for that I had downloaded one of their songs previously simply because I liked the album art so much. The first thing I noticed about Freelance Whales was that they played a large array of instruments, including a harmonium, a waterphone, even turning the gardening cans that they had around the set to store the mallets for the glockenspiels into a kind of drum to bang on. As for their songs, they have an undeniable folkrock-anthem sing-along Arcade Fire vibe to them, many times incorporating merry vocal chants on simple sounds like "nah" or "ah" that are so energetic and possessing of child-like carefree fun that one can't help but think that they belong on the Where The Wild Things Are soundtrack. While I'm no filmmaker like Em, check out my video below of their performance of "Generator^2nd Floor."


Generator^2nd Floor [mp3] (iTunes)

Fanfarlo came on stage in awesome animal-print sweatshirts during sound set up. A man behind me commented, "they always have the best sweatshirts" so I hope that this is a common occurance. I wish I had taken photos of them now, but I was too enraptured at the time by the neon cat head sweatshirt worn by Cathy Lucas.

At any rate, once a brief sound check was finished, Simon Balthazar and Cathy took the stage sans sweatshirts and started things with a nice quiet acoustic version of "Drowning Men" with guitar and mandolin. The rest of the band piled on for the kick-it-into-gear number of "I'm A Pilot," and right away I was enraptured by the cohesive blend of this well crafted group. All six members are constantly doing something of their own on stage - whether it be fiddling with knobs on the synth, working a musical saw or in the midst of a subtle guitar-off in the corner. Being able to see the band live really opens your ear and allows you to pick up on just how masterful these songs are.

Simon's vocals have always reminded me of Beirut lead singer Zach Condon, and I live for the day when they might duet. Simon had spurts of energy, doing little jigs during the rocking interludes and making few jokes here and there, but it was clear that he was focused on the music, closing his eyes and keeping an extremely calm demeanor about him for most of the show. The set was rather short, with 10 songs in all, and like many others, I was surprised that some songs such as "Fire Escape" or "Sand and Ice" were not played, but perhaps the band wanted to keep it mostly based from their excellent debut Reservoir.

The concert was quite lovely with a fantastic and high quality set, but things were greatly boosted with a charming end to the evening. After the euphoric and propulsive performance of Luna (video below), the band handed out neon-colored tubes to random members in the audience and asked them to twirl them above their heads during the encore number "Ghosts." The tubes created an empyreal noise which seemed to unite everyone in that room together and made people leave smiling. All in all, like Em said when she saw them at CMJ, it was great show. Seeing Fanfarlo live is a must for any person who enjoys quality music played by talented musicians and likes to leave a show feeling full of satisfaction and warm fuzzies. I highly recommend you check out their myspace to see if they're coming to a town near you.

(note: songs starts :44 in, and sorry about the sound quality, I was standing quite close and my camera nearly peed on itself from so much awesomeness)


Luna [mp3] (iTunes)

More Photos:

Fanfarlo


Set List:
Drowning Men
I'm A Pilot
Finish Line
Harold T. Wilkins
Atlas (new song)
The Walls Are Coming Down
Waiting In The Winds (new song)
Comets
Luna
Encore: Ghosts