Friday, February 29, 2008

Tour Announcement - The Hard Lessons

The Hard Lessons are going on tour! And they posted new music to their website that you can download for free. So go there. They will be in Minneapolis at The Triple Rock Social Club (All Ages!) on March 6th, in New York City at The Knitting Factory on March 27th, and in Brooklyn (woot!) at Union Hall on March 28th. See the full schedule below.


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Thursday, February 28, 2008

Theme Thursday - Bombs Away

Today's theme is "bomb." Not for any real reason (though I guess the violence in the world would be reason enough). But really, it's just that I was scanning through my music and I decided to close my eyes and pick a song by pointing to it, and I ended up with "I'm the Bomb" by Electric Six. Turns out it was a good pick, as there are lots of good songs that fit the theme. As always, feel free to leave suggestions for songs that fit the theme or for future themes.

I'm the Bomb [mp3] - Electric Six - "Fire" (iTunes)

The Bomb [mp3] - The Bucketheads - "Fired up!" (iTunes)

Bomb Yourself [mp3] - TV on the Radio - "Desperate Youth, Blood Thirsty Babes" (iTunes)

Spanish Bombs [mp3] - The Clash - "London Calling" (iTunes)

You Got Yr. Cherry Bomb [mp3] - Spoon - "Ga Ga Ga Ga Ga" (iTunes)

B.O.B. (Bombs Over Baghdad) [mp3] - Outkast - "Stankonia" (iTunes)

Gender Bombs [mp3] - The Stills - "Logic Will Break Your Heart" (iTunes)

Bomb.Repeat.Bomb. [mp3] - Ted Leo & The Pharmacists - "Living With the Living" (iTunes)

Louder Than A Bomb [mp3] - Tiga - "Sexor" (iTunes)

That Tiga song is pretty hilarious. I think he's trying to be the next Right Said Fred or something. And a random observation: when you look at the word "bomb" over and over, it starts to look really weird and not like a real word...

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Wednesday, February 27, 2008

Once

I realize this is late in coming, as this movie has been out for a while, but I finally got to see Once last night. I suspected I would love it since music, Ireland and Czech people are like my three favorite things. And love it I did. The music was great (as I'm sure you all know it won the Oscar for best song) and I have to say it was probably one of the most real movies I've ever seen. It seems like Hollywood - and even the independent entertainment industry - always tries to make us believe that love conquers all and love is the most important thing in the world and as long as you have that, it doesn't matter if you have to give up everything else. This film has a much more realistic outlook on that. Sometimes love doesn't conquer all and sometimes you have to be practical and play with the cards life dealt you. The film was completely heartbreaking, but at the same time extremely happy and uplifting.

Marketa Irglova's character made me extremely happy. She was just so Czech - always saying exactly what's on her mind. It made me miss the Czech Republic a lot. I also got really excited to be able to pick out a few Czech words and phrases.

During the Oscars, Colin Farrell referred to Once as "the little movie that could." It's so true. You can tell that the film was shot on an extremely low budget, but you really don't care because there's just so much heart to it and the music is beautiful. A lot of people refer to this movie as a musical, but it's not really. Not in the classical sense anyway. It's a film that revolves around music and has a lot of musical performances. But every time they sing, they are writing a song or recording a song or performing a song. It's not like in classic musicals where breaking out into song and dance is just part of daily routine for everyone in that world. The closest it comes to that is when Glen Hansard's character sings answers to Marketa Irglova's questions on a bus. But that's very much something his character would do and I hardly think that makes it a musical.

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Monday, February 25, 2008

Minnesota Monday - The Honeydogs

Yesterday it seemed to be a good day to be from Minnesota in the film industry - the Coen brothers walked away with three Oscars for "No Country for Old Men" (best adapted screenplay, best director and best film) and Diablo Cody won the best original screenplay award for her quirky hit, "Juno." Woohoo! Go Minnesotans! See a list of the rest of the winners here.

Speaking of Minnesotans, it's Minnesota Monday here at Guilt Free Pleasures and our band this week is The Honeydogs. These guys have been a staple of the Minneapolis music scene since I was but a wee child (since the mid-1990s to be more specific). I saw them perform and met them once briefly years ago, back when I still lived in Minnesota. They seemed like nice, down-to-earth guys. Their music is a little bit country, a little bit rock 'n' roll, a little bit pop, a little bit folk, a little bit psychedelic, a little bit jazz, a little salsa, a little funk, etc. They masterfully utilize a number of different styles, sometimes all at once, which is what I love most about The Honeydogs.

Their most recent album, "Amygdala" (pronounced uh-mig’-dull-uh), which came out in 2006, is even more stylistically diverse than the album that introduced me to The Honeydogs back in 2003, "10,000 Years." For those of you wondering what an "Amygdala" is, it's an "almond-shaped group of neurons in the brain which regulate emotions, specifically fear." As with all their music, "Amygdala" is smart and political. In case you couldn't ascertain this by listening, just look at the telling track titles such as Tar Baby Napalm, The Firing Squad Reloads and Blues For Castro. While less consipuously political, the title track - Amygdala - is the essence of The Honeydogs to me. This track is just so unmistakably them. Overall, "Amygdala" is the perfect follow-up album to "10,000 Years," expanding on the strengths they already had and drawing on new influences and strengths. Although, I have to say, I hadn't listened to "10,000 Years" in a while until I decided to write this post and it's one of those albums that when you go back to it, it's even better than you remember it being and you wonder why it's been so long since you last listened to it. Both albums are also those rare finds in which I seem to like almost every single track.

Some samples for you, of which I selected my favorite Honeydog tracks:

Ms. Ketchup And The Arsonist [mp3] - "Amygdala"
Amygdala [mp3] - "Amygdala"
Test Tube Kid [mp3] - "10,000 Years"
The Rake's Progress [mp3] - "10,000 Years"

Sunday, February 24, 2008

Acceptance

I just finished reading the book Acceptance by Susan Coll. It's a fictional novel about the college admissions process, with alternating points of view from various students (the overachiever, the athlete, the emo girl), parents and even a college admissions officer. Even though there are a lot of characters, each character is very well developed. The book takes a humorous, slightly cynical view of the whole process and society's increasing obsession with it, which I think a lot of people can relate to. I know I can. I went to a high school very similar to the one in the book - a competitive suburban public high school where kids fill their schedules with AP classes and in order to be in the top 10% of your class, you have to have higher than a 4.0 GPA. The book also makes some very astute observations, such as the fact that when students apply to more schools (in order to ensure, in their minds, that they get in somewhere) this is counterintuitive because more applications make each college more selective, therefore lowering your chances of getting in.

I recommend this book to anyone who has gone through the admissions process. But if you haven't yet and you think you're going to in the future, perhaps you might want to hold off on reading this book because it might make you a little nervous.

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Friday, February 22, 2008

No Longer Will We Shake It Like A Polaroid Picture

Bad news for Hipsters everywhere: Polaroid has announced that it is no longer going to produce the instant film that has become synonymous with the name of the company. It has already stopped making instant film cameras and while the film is being phased out a little more gradually, it is likely that it will be gone by 2009.

I don't even own a Polaroid camera, but it still seems rather tragic to me that they are just one more casualty in the digital revolution. They declared bankruptcy in 2005, at which time they were bought by Petters Group Worldwide (read more on that here). They have expanded their efforts in the digital market. And now it seems that is where they are shifting their entire focus, as they leave their history behind.

But besides the trendy hipsters who bring a Polaroid camera to every event, there will always be practical uses for Polaroids in certain industries, like the film industry for example (casting calls, make up tests, etc), so I am surprised that they are halting production altogether. I would say they should simply lessen it. But I guess it's rather costly to produce and so they've decided not worth it to them. Polaroids look pretty cool - with their slightly washed out colors and their convenient white border to write captions on. I am tempted to buy a camera and some film just to have a little piece of the history. It's strange to think that when I have kids, they probably won't really know what Polaroids are, unless maybe they take a photography course or something.

Here are a few more articles, in case you are in the same state of disbelief that I was when my friend told me last night:
Yahoo! news
ABC News

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Thursday, February 21, 2008

Theme Thursday - Tango

Today's theme is the tango. In musicals (particularly movie musicals) my favorite scenes and songs often seem to involve the tango. So today's list of songs is going to largely be from musicals.

El Tango De Roxanne [mp3] - Moulin Rouge (iTunes)

Cell Block Tango [mp3] - Chicago (iTunes)

Tango: Maureen [mp3] - Rent (iTunes)

And one non-musical song:

Van Tango [mp3] - Franz Ferdinand - "Franz Ferdinand" (iTunes)

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Wednesday, February 20, 2008

Be Kind Rewind

Yesterday I saw Be Kind Rewind, starring Jack Black and Mos Def and directed by Michel Gondry. I suspected that the movie would be good because I love Jack Black and Mos Def, plus there is always a really magical quality to Gondry's films. Like most of his movies, this film was sentimental, funny and enchanting.

The premise of the movie is that Jack Black's character, Jerry, gets magnetized by this power plant and accidentally erases all the tapes in the store. To cover their tracks, Jerry and Mike (Mos Def's character who is left in charge of the store while the owner takes a trip) film 20 minute versions of movies that one or two customers request - Ghost Busters and then Rush Hour 2. Jerry and Mike film it on an old VHS camcorder and star in it themselves. There is never any editing - they shoot it shot by shot. These two films become big hits in the neighborhood, and soon they have people from all over practically knocking down their door to put in their requests for films to be "Sweded" (meaning remade by Jerry and Mike - you'll have to see the movie to get that reference).

While their success seems to come a little too quickly in real world terms, the remakes of the movies are hilarious and actually quite resourceful. I was very impressed with some of their low-budget filmmaking solutions. Of course, it helped that Jerry lived in a junkyard, so they had all sorts of stuff available to them for free that most normal people wouldn't have.

Overall, the movie is quite funny and heartwarming. I would say the ending is a little too cheesy for my tastes, but it's definitely a feel-good movie. And I appreciate that Gondry doesn't seem to be one of those filmmakers who think movies have to be dark and depressing in order to be considered art - which, in a way, is part of the overall message of this film, as conveyed by Mike and Jerry's silly remakes that "have a lot of heart." So go see it. It comes out on Friday.

P.S. There is a lunar eclipse tonight, peeking around 9:26pm, so keep an eye out!

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Monday, February 18, 2008

And they say global warming doesn't exist...

So it's 63 degrees Fahrenheit in New York City today. In February. Too weird, although I can't deny that it's kind of nice.

I'm feeling rather uninspired today, so here are some songs I haven't posted yet.

Save Me [mp3] - Joan as Police Woman - "Real Life" (iTunes)

Blind [mp3] - Major Major - "Major Major" (Aimee Street)

Gilt Complex [mp3] - Sons & Daughters - "This Gift" (iTunes)

And no, I didn't spell guilt wrong. That's how it's spelled in the song.

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Saturday, February 16, 2008

Matt Jones at The Creek and The Cave

Last night I headed up to Queens to see Michigan singer-songwriter Matt Jones play at The Creek and The Cave. Everything about Matt Jones was pretty laid back. He was wearing jeans, a plaid button-up shirt and a hat. His music is laid back too - kind of whimsical and folky. It was just him and his electric guitar (apparently he often has a violin player and possibly some other string instruments accompanying him), but he was still a captivating performer. One of the main things I noticed about him was that he played his electric guitar the way most people would play an acoustic guitar - with no pick, and with a relaxed strumming or plucking. He has a really pleasant voice with a slightly haunting quality to it. His way of singing is much like his way of playing guitar - loose, easy going and almost playful at times. The haunting quality of his voice and the wistful guitar come together to create music that is honestly beautiful. I know that sounds cheesy, but there's not really a better word for it than that.

One of my favorite moments of his performance was when he announced that he was trying to do less "smile-makers" and he wanted to play more rockin' music, so he was going to do one of his only depressing songs. Shortly into the song he forgot the words and he smiled and said "I've forgotten how to be sad."

In talking to him after the show, he seems like a very friendly, chill person. Though he currently resides in/around Ann Arbor, Michigan, we bonded over the fact that he lived in Minneapolis for a year or two. He liked Minneapolis, but apparently the cold and snow was too much for him, so he left.

Below is a sample from his EP, "Right to Arms," but he informed me that he has a full-length album coming out in May(ish) that would blow this EP out of the water. So expect to hear more about that closer to the time.

Hand Out The Drugs [mp3]
"Silence!" He Told Her [mp3]

I also want to give some praise to The Creek and The Cave. I liked it the first time I went there (especially because they gave us all free drinks), but if it weren't so hard to get to from my home in Brooklyn I think it would quickly become one of my favorite bars. It has a nice atmosphere and a pretty terrace. They also added a shuffleboard table since the last time I was there, so I played hand shuffleboard for the first time, which was fun even though I kind of sucked. And they had a pretty good DJ, which I'm often quite picky about. If you haven't been there, I highly recommend you venture out there. It's worth the trip.

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Thursday, February 14, 2008

Theme Thursday - Love

Since today is Valentine's day, the theme for today is love. And for those of you say "St. Valentine was a murderer and Valentine's day is a fake holiday invented by greeting card companies," I say, "yes, it is, but Coca-Cola invented the Santa Claus we know and love, so what's your point?" It's so interesting to me how people "rebel against consumerism" for this one day each year, but really they're just bitter. Besides, even though it can suck for single people (especially single girls, of which I've been one many a Valentine's day), what's wrong with having yet one more day to celebrate and do something special? And just think about all the delicious candy that's going to go on sale tomorrow. Mmmmmmm... Candy. Any holiday that revolves around chocolate can't be too bad in my book.

So that's the theme for the day and maybe the plethora of good music I am about to unleash will cheer you anti-Valentine's day people up (I've actually had a somewhat terrible day myself thanks to the lovely Metro Transit Authority and Con Ed). Instead of just finding songs with the word "love" in the songs for today though, I am going to post songs that I think are really romantic.

Umbrella [mp3] - Rihanna featuring Jay-Z - "Good Girl Gone Bad" (iTunes) - Yes, I know. You indie snobs reading this are probably vomiting right now. But it really is a sweet song. It's one of the few pop songs these days that isn't just about f***ing someone's brains out (though you can't really tell that from the music video... but oh well). Listen to the lyrics. "Now that it's raining more than ever, know what we'll still have each other. You can stand under my umbrella." It's actually a very nice, romantic, simple concept for a song. And yes, it's catchy as hell.

Song No. 6 [mp3] - Ane Brun featuring Ron Sexsmith - "A Temporary Dive" (iTunes). A sweet, pretty song about how it would be easy to write a song about someone. "I would spend three or four lines on describing your eyes. And then the next three or four lines on the dimples of your smile. And then I would tell the world about the way you hold my hand, and they would understand." Aaawwwwww...

You Picked Me [mp3] - A Fine Frenzy - "One Cell in the Sea" (iTunes). This song is very close to being too cheesy, but it's a pretty song and overall I like the sentiment it expresses of finding someone special amongst the millions of people in the world.

Oh, It Is Love [mp3] - Hellogoodbye - "Zombies! Aliens! Vampires! Dinosaurs!" (iTunes). I actually wanted to post Here (In Your Arms), a sweet almost dance-able song about one of my favorite things - cuddling. I also like how how it emphasizes the joy in even the smallest of touches, like your cheeks brushing. But I can't post that one, so I'm posting this one instead, a very cute alternative.

Spoon Me [mp3] - Ohm - "Star Fall" (iTunes unavailable). I think the title is self-explanatory.

Fading in C# Minor [mp3] - Una - "One" (iTunes). For most of you this song might not be that romantic, but - as someone currently in a long-distance relationship - the longing that this song expresses is something that I can relate to.

Love Song [mp3] - Sheila Nicholls - "Wake" (iTunes unavailable). I was torn between this and her song Bread and Water (another song with an intense sense of longing - "it's bread and water without you...") but I already posted Bread and Water somewhat recently, and this song is a nice, positive song about love.

Thank You [mp3] - Dido - "No Angel" (iTunes). I almost didn't want to post this because it was so overplayed years ago, but it really is a great love song about how that special someone can magically make everything ok. Dido has a lot of great love songs like Here With Me, Take My Hand, and the rather sad White Flag.

These Words (I Love You, I Love You) [mp3] - Natasha Bedingfield - "Unwritten" (iTunes). Another song I was hesitant to post because of overplay when it came out (and I know you hipsters are probably trying not to throw up again). Also another song about writing a love song. And she's right, there's no better way to say "I love you."

My Man (Medley) [mp3] - Regina Spektor - "Live at Bull Moose" (iTunes unavailable). A mildly disturbing song about a very unhealthy relationship, but I think that everyone experiences this kind of totally unhealthy blind love at some point.

Fairytale [mp3] - Sara Bareilles - "Careful Confessions" (iTunes). This is a song for all you bitter V-day haters out there. A sasssy, cynical commentary on the unrealistic romance of fairytales. Again, I was torn between this and her song Love Song, another slightly bitter song ("I'm not going to write you a love song cuz you asked for it, cuz you need one..."). Something tells me Ms. Bareilles has not had the best of luck with men.

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Wednesday, February 13, 2008

The Kooks are out

Last night I saw The Kooks at Music Hall of Williamsburg and let me tell you, the kooks were definitely out. I suppose you had to be crazy to go out in the cold sleet/rain/snow last night though. But I saw numerous fights almost break out - even in the coat check line - and I almost ended up in one myself. Imagine it! Shy little non-confrontational me! Something in the rain water maybe? I don't know.

Anyway, it was a night full of Brits. Half the audience seemed to be British - coming out to support bands from the motherland I assume (my ears were delighted by all the charming accents around me). When I arrived, Nat Jenkins was playing. I didn't catch his whole set. He looked kind of like a country bumpkin in his plaid shirt, but that was fitting because his music actually had a folky/country feel to it, along with a hint of 60s pop (there was a certain bounce to it). It was an interesting combination but it worked.

Next up was The Duke Spirit, with sassy lead singer Liela Moss, who totally stole the show. She was stylish, fun and full of drama and energy. She also had a very sexy voice. Their music was in the same vein as The Kooks - high energy dance rock, with the occasional slower, more dramatic number. I really enjoyed their performance and I think Liela Moss is the coolest. The one unfortunate thing was that the lighting guy decided from here on in it would be a good idea to light the audience instead of the band, so we were blinded and the band was backlit for pretty much the entire rest of the show.

After The Duke Spirit departed from the stage, that is when the crowd started getting rowdy. A lot of people seemed to decide all at the same time that it would be a good idea to make their way up to the front (which those of us who had been there since the beginning weren't too happy about, as you can imagine). Some people got away with it without making everyone hate them, but then these two tall drunk bitches were shoving their way through the crowd and for some reason decided they had to be where I was standing and literally aggressively pushed me out of the way. I actually said out loud "are you serious?" (which is bold for me) and the slightly-less-drunk bitch was like "yeah, kinda." WTF?! Now, it turned out for the best because I instantly made friends with everyone around me who saw it. They were all equally outraged and totally on my side. It's a good thing I hadn't been drinking or I might've actually started a fight with them. If I had a drink in my hand at the time, I most definitely would've "spilled" it on them. Luckily, one of my new outraged friends, Carter, stepped in on my behalf (and on behalf of everyone around me who was now having trouble seeing over their stupid tall heads) and got up in their faces. I really thought a fight was going to break out, but it ended with Carter giving them a little taste of their own medicine and shoving them aside and eventually they gave up on pushing back. So by the time The Kooks went on, I got my spot back and could actually see. Yay! Thanks Carter - you're my hero!

The Kooks were fabulous. I had never really bothered looking at pictures of them, so I was surprised at how young they are (they're all around age 22 from what I can gather via Wikipedia and some of them look even younger). They had a great energy and lead singer Luke Pritchard liked to get up close to the audience, as you can see from the picture (right), which is always fun. The audience went crazy every single time. Much to my delight, they played my two favorites - Matchbox, She Moves in Her Own Way and You Don't Love Me. It got steaming hot from everyone dancing and jumping around, but it was a blast.

One thing about Music Hall of Williamsburg - don't check your coat. There was only one poor coat check guy, and there didn't really seem to be a line. People were just kind of going whereever they could (this caused some tension amongst some, and hence more fights almost broke out. It was intense, especially just for coats).

To see the rest of my photos, click here. Or watch the slideshow below:



And some mp3s:

Thinking This Over [mp3] - Nat Jenkins (iTunes unavailable)

Lassoo [mp3] - The Duke Spirit - "Neptune" (iTunes)

Matchbox [mp3] - The Kooks - "Inside In / Inside Out" (iTunes)

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Monday, February 11, 2008

Minnesota Monday - The Battle Royale

Ready for your second installment of Minnesota Monday? Good.

Today's band is The Battle Royale from Minneapolis. Though it might not look like it from their laid back photo, these kids know how to get their dance on. If Todd Fink of The Faint adapted the vocal stylings of Q And Not U, you would have The Battle Royale. Or well, you would have half of their newer album, "Wake Up, Thunderbabe," which was released in January to much blogosphere acclaim. They've got a slightly dark dance-pop electronica thing going on, with just the right amount of dissonance in their vocals to make you feel like "hey, these guys are pretty chill." In a somewhat distinct contrast, the other half of the album is more folk-rock than dance-pop, somewhere between The Arcade Fire and The Flaming Lips.

And if you don't believe that they know how to get their dance on, watch this fun but slightly disturbing homage-to-the-'80s video for the song Oh Martha from their debut album, "Sparkledust Fantasy" (warning: minor nudity)


Free samples for you guys:


Myspace them
iTunes them

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Saturday, February 9, 2008

Charlie Bartlett

Last night I saw the movie Charlie Bartlett, starring Anton Yelchin, Robert Downy, Jr., Hope Davis, and the practically the entire cast of DeGrassi: The Next Generation (good news for those of you cult followers who yearn to see Jimmy out of his wheelchair). In the movie, rich kid misfit Charlie Bartlett (Yelchin) gets kicked out of private school and goes to public school, where he at first has some trouble fitting in. However, he soon finds his niche as a boys' bathroom psychologist/prescription drug dealer and quickly becomes the most popular kid in school.

The movie, despite relying a little too heavily on certain high school cliches (the macho football player, the slutty cheerleader, the bully tough guy, the suicidal emo kid, the kindhearted special needs kid, the goth and/or hippie art students, etc), is actually a great heartwarming comedy. It's definitely a feel good movie that borders on too much optimism, but it has some great funny lines and some pleasantly cynical characters to diffuse all the the warm fuzzies before you start to feel your gag reflex kicking in (actually there's a rather intense scene with Robert Downy, Jr., involving a bottle of whisky, a gun and a remote control boat). Downy was definitely the best performance in the movie as the jaded alcoholic principal/father and I think I liked his character the best, as well.

The movie was directed by Jon Poll, who has done most of his work in the film industry as an editor until recently. I have to say, I was a little surprised that he was an editor before this directorial debut because at the beginning of the movie the pacing is very weird and off. One of my friends speculated that it's a nod to Harold & Maude, which she said also has weird pacing (I've never seen it but apparently a lot of things in this movie were an homage to Harold & Maude). However, the weird pacing works itself out relatively quickly, and the rest of the movie is much better. I was also surprised that Jon Poll was an editor because he spoke before and after the screening of the film and I don't think I've ever met an editor who talks that much. While his anecdotes about how Tyler Hilton (who plays bully/punk Murphy Bennett) and Megan Park (who plays slutty but misunderstood cheerleader Whitney Drummond) are now dating in real life (you'll understand why this is cute when you see the movie) were entertaining, there were times when I wished it didn't take him 20 minutes to answer questions in very roundabout ways.

Before I start rambling like Jon Poll though, I will finish by concluding that Charlie Bartlett is a quirky feel good comedy about the turbulent lives of teenagers. It comes out February 22nd and I recommend you go see it.

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Thursday, February 7, 2008

Theme Thursday - Whatever

I was lacking inspiration for a theme today, so the theme is "whatever." As always, please feel free to leave suggestions of more songs that fit the theme or of future theme ideas.

The View From the Afternoon [mp3] - Arctic Monkeys - "Whatever People Say I am, That's what I'm Not" (iTunes)

Fair [mp3] - Ben Folds Five - "Whatever and Ever Amen" (iTunes)

Whatever [mp3] - Imogen Heap - "iMegaphone" (iTunes)

Whatever You Want [mp3] - Vienna Teng - "Dreaming Through the Noise" (iTunes)

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Wednesday, February 6, 2008

Jerry Springer: The Opera

Last Thursday I saw Jerry Springer: The Opera. Now, you might be thinking "that sounds like a bad off off off broadway show." But this was legitimate. It was at Carnegie Hall and starring Harvey Keitel as Jerry Springer (the one and only speaking part). I even saw Neil Patrick Harris in line to pick up his tickets beforehand. It was performing only a two-night run here in New York City. Originating in the UK, it is a bit controversial and has not gotten much stage time here in the good ol' US of A.

The opera started off as everything it should've been. It was funny and campy. The songs were good. The singers were talented. After the chorus sang about wanting to be on TV, the audience warm-up guy came on and got them all psyched. He told them to "aaww" for the good guys and "boo" for the bad guys, which made really good back-up vocals for a lot of the numbers. Clever, very clever. Then the show began with Dwight and his wife Peaches. But Dwight had a secret - he was sleeping with Peaches' best friend, Zandra. Of course there was fighting. And the security guard did a funny little inner monologue song about how girl-fights are the hardest to break up. Then a new secret came out. Dwight was having another affair... with a transvestite! Classic. The transvestite was awesome. He could hit notes as high as Mariah Carey. He sang a sassy little song called "Talk to the Hand." Then there was the commercial break. They had some short little fake commercials that I don't really remember all that well. But they were funny.

Then they brought on a guy who has a diaper/baby/shitting-his-pants fetish. That whole part was a little weird, but very campy and still funny. It was this big black man wearing a giant diaper on stage. I mean, you can't not laugh at that. Next a hick couple comes on and the woman wants to be a pole dancer. Her husband had a great mullet but that's really all I remember about their scenes. The important thing is that it led up to this:

The Ku Klux Klan enters. They all line up in rows and then they start singing "This is My Jerry Springer Moment" and break out into a chorusline dance. I don't think I've ever laughed so hard in my life as when watching the KKK chorusline doing jazz hands and singing "so dip me in chocolate and throw me to the lesbians..."

And that was the end of the first act. Frankly, I wish the play would've ended right there. The first half was perfect except for random moments where a "valkyrie" (wearing a Minnesota Vikings sweatshirt... ggggrrr...) would sing as Jerry's "conscience" and he would get all "introspective." It just didn't work. It was like they were trying too hard to be deep and analyze right and wrong through the Jerry Springer show. Sadly, this is basically all the second half of the show was, as Jerry gets shot, dies and goes to Hell, where he puts on a Jerry Springer episode between the Devil, Jesus and God. There were a few good one-liners and song numbers, but most of the second half just plain sucked. They were so not subtle about the message they were trying to get across - that right and wrong isn't just black and white (oh my goodness! what?! what a revelation! I've never heard that one before!). In fact, they pretty much just stated it outright in really crappy unnatural dialogue.

I think that sticking to satire and poking fun at the absurdity that is the Jerry Springer show would've been a much more subtle commentary on society and "right vs. wrong." It certainly would've been funnier at the very least. Frankly, I wish that the show would've ended with the Ku Klux Klan chorusline.

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Sunday, February 3, 2008

"See and Be Scene" music video

The new music video for the hipster satire song "See and Be Scene" by The Hard Lessons is out and you can watch it on spin.com. This is one of my favorite songs right now, and the music video is pretty funny. It's a little low budget, but The Hard Lessons are an extremely independent band, so that doesn't really bother me and it's still a fun video. In the music video, The Hard Lessons are "The! Hungry! Hungry! Hipsters!" who dress all in pink and they put on a show for a disinterested hipster audience. Favorite moments from the music video: the rack focus shots on the Pabst Blue Ribbon, the girl in the audience reading a book and yawning, and the drummer pulling out his Blackberry when he's not drumming at the end of the song.

Go check it out!

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